Nine in the Afternoon - Panic! At The Disco

another request from a few months ago i believe? :-)


Eb   Eb  D     D     Bb  C    DD
back to the street where we began

FEb     D    D  Bb   CD    D   Bb  CBbG
feeling as good as lovers can you know

Bb    Bb     DD     C  D
yeah we're feeling so good

FEb    D     D    Bb   CD      D
pickin up things we shouldn't read

Bb   F    Eb   D   D  Bb   CDD    C Bb  CBbG
it looks like the end of history as we know

Bb    Bb   Bb  D   D   C   D
it's just the end of the world

C     D  D    D     Bb    C  DD
back to the street where we began

CD      D   D   Bb   C   D    D   Bb  CBbG
feeling as good as love you could you can

FEb  D   D    Bb     C       D    D
into a place where thoughts can bloom

FEb  D   D    C    Bb   C   C    D    CBbCBbG
into a room where it's nine in the afternoon

Bb  Bb   D   D   C    D   F
and we know that it could be

Bb  Bb  Bb    A   G   F
and we know that it should

Bb   Bb   G    F  Eb   D    F  CBb
and you know that you feel it too

Bb     Bb   D   D   C      DCD
cause it's nine in the afternoon

Bb   Bb   D    D   C     D  D  C    D
and your eyes are the size of the moon

Bb    D     D    C   D   D   F  GF
you could cause you can so you do

F       FEb    D  C    Bb   Bb  F   Eb  D   C
we're feeling so good just the way that we do

Bb    Bb   D   D   C    DCD
when it's nine in the afternoon

Bb    D    D   C   D   D   C   D
your eyes are the size of the moon

Bb    D     D    C  D    D   F  GF
you could cause you can so you do

Bb       FEb   D  C
we're feeling so good

C     D  C    D      C   D   C   D
back to the street down to our feet

DD      F    GF    Eb    DD     DCbG
losing the feeling of feeling unique

Bb  Bb   D   D   C   D
do you know what i mean

C     D   C   D    C     C   D   C   D
back to the place where we used to say

D    D    F   G    F   D    C   CBbG
man it feels good to feel this way

Bb  Bb  C   D   C   D
now i know what i mean

C     D   C   D     C    D  C   D
back to the street back to the place

D     D   F   G    F   D   D     CC    D
back to the room where it all began hey

D     D  F    G    F   D   D   CCBbG
back to the room where it all began

Bb     Bb   D   D    C   DCD
cause it's nine in the afternoon

D     D    D   C    D   D  C   D
your eyes are the size of the moon

Bb   D      D    C   D   D  F  GF
you could cause you can so you do

Bb      FEb    D   C   Bb   Bb  F   Eb   D   C
we're feeling so good just the way that we do

Bb    Bb    D   D   C    DCD
when it's nine in the afternoon

D    D     D    C   D   D   C  D
your eyes are the size of the moon

Bb    D    D     C   D   D   F  GF
you could cause you can so you do

F       FEb   D   C    Bb   Bb F    Eb  D  C
we're feeling so good just the way that we do

Bb    Bb   D   D   C    DCD
when it's nine in the afternoon

D     D   D    C   D    D   C    D
your eyes are the size of the moon

Bb    D     D    C   D   D   F  GF
you could cause you can so you do

Bb      FEb    D  C    Bb   Bb   F  Eb   D  C
we're feeling so good just the way that we do

Bb    Bb   D   D    C    DCBb
when it's nine in the afternoon

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Northern Downpour - Panic! At The Disco

all B's are Bb

A C A C A C A C
if all our life is but a dream,

FDC FG A G A G A G FG C D C
fantastic posing greed then we should feed our jewelry to the sea.

A ABbA GF D C A Bb AGF G F
for diamonds do appear to be just like broken glass to me.

A C A C A C AC
and then she said she can't believe,

F DC FG A GA G A G AG CD C
that genius only comes along in forms of fabled foreign tongues.

ABb A G FD C
dripping eyes and flooded lungs.

ABb AGFGF C A C
northern downpour sends it's love, hey moon,

C CC Bb A FGA
please forget to fall down.

C A Bb A G F
hey moon, don't you go down,

FGA C C AGA GF FG A
sugarcane in the easy mornin weather vanes,

C C C GF
my one and lonely,

A C A CA AC A C
the ink is running towards the page.

F DC F G A
it's chasing off the days,

G A G A G F G AD C
look back at both feet and that winding knee.

G A G A G F D C
i missed your skin when you were east.

Bb A Bb A G F GF F
you clicked your heels and wished for me.

A CA C C A C
through playful lips made of yarn,

F DC FGA GAG A G F GA D C
that fragile capricorn unraveled words like moths upon old scarves.

Bb A Bb A G FD C
i know the world's a broken bone.

Bb A Bb AG A Bb A
but melt your headaches call it home.

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Nicotine - Panic! At The Disco

all Es are Eb
all Bs are Bb
all As are Ab

F Eb Eb C Eb F C
cross my heart and hope to die,

Ab Bb C Bb Ab GF F
burn my lungs and curse my eyes,

F F^ EbEb C C C C C C
i've lost control, and i don't want it back.

Ab AbAbBb C Bb Ab EC Ab Ab AbEb CBb
i'm going numb, i've been hijacked, it's a fucking drag.

F F G Ab G Ab G G Ab G Ab BbG G
i taste you on my lips and i can't get rid of you,

F F G Ab G Ab G G AbG Ab Bb G
so i say damn your kiss and the awful things you do,

Eb Eb Ab G Ab G G Ab G Ab B G
yeah you're on my lips and i can't get rid of you.

F F G Ab G Ab G G AbG Ab B G
so i say damn your kiss and the awful things you do,

Eb Eb C Bb AGA
yeah you're worse than nicotine.

AGA Eb Eb C Bb AbGAb
nicotine, yeah you're worse than nicotine.

FEbE
nicotine.

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Girls/Girls/Boys - Panic! At The Disco

all F's are F#
all C's are C#

F# F# F#F# F# E E D EF#
i don't wanna hear you got a boyfriend,

DF# D F#E E F# B
sometimes, you're better off alone.

D D D A A F# E D A A F#
but if you change your mind you know where i am,

F# E D A A F# E D A B F#E E
yeah, if you change your mind, you know where to find me,

D F# D F#E EE E D EB
cause i don't wanna ever be your boyfriend.

D AA A A A F#E E D A A A A AF# F#E E F#
and never did i think that i would be caught in the way you got me.

A AAA AF# F#E D E F#B
push another girl aside, and just give in.

A F# A F# B
girls love girls and boys.

F#F#F#F#E GGGGF#
sophisticated, manipulated.

A F# A B Bv
girls love girls and boys.

F#F#F#F#E GGGGF#
sophisticated, manipulated.

D AA A A A F#E E
and never did i think that i,

D A A A A A F# E F#
would be caught in the way you got me.

A F# A B Bv G B C# D C# F#
girls love girls and boys, and love is not a choice.

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Miss Jackson - Panic! At The Disco

CC C A G F
climbing out the dack door,

GG G F D
didn't leave a mark,

CC C A G F GA
no one knows it's you, miss jackson.

C CCA GF
found another victim,

G GG GF D
but no one's gonna find,

F GA GA GA
miss jackson, jackson, jackson.

D F D F G F G A
hey, ey, ey, ey, hey, ey, ey, ey. (like x4)


D D E FE DE DC C A C D
you put a sour little flavour in my mouth now,

D D E FE DE DC CA C D
you move in circles hoping no one's gonna find out,

D D E FE
but we're so lucky,

D E D C C A C D
kiss the ring and let em bow down,

DD D D D D E C#
looking for the time of your life,

A AA AA C D
ain't always gonna find out.

D DE FE D E DCC A C D
a pretty picture but the scenery is so loud,

D D E FE DE DC C A C D
a face like heaven catching lightning in your nightgown.

D D EF F E DE
but back away from the water,

D A C D
babe you might drown,

D DD DD DD EC#
the party isn't over tonight.

AA A A C D
lightning in your nightgown,

DEFGA
hey,

G F G F GF G FGGF GA
where will you be waking up tomorrow morning?

DEFCA
hey,

G F G G GG G A G F DCD
out the back door goddamn, but i love her anyway.

DFDFGFGA
hey, hey, hey.
A G F DCD
i love her anyway.

G F G G GG G A G F DCD
out the back door goddamn, but i love her anyway.

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

G A GFE
are you nasty?

A G F DCD
i love her anyway.

DEFGA G F G F GF G FGF GA
oh,  where will you be waking up tomorrow morning?

DEFCAG G F G G
oh, out the back door,

GG G A G F DCD
goddamn, but i love her anyway.

E F E D ED CAC C D
way down til the fire finally dies out,

D D E F ED E DC C A C D
you got em wrapped around your finger watch em fall down,

D DE FED E DC C A C D
there's something beautiful and tragic in the fall out,

D D D D D E C#
let me say it one more time,

AA A A C D DEFGA
tragic in the fall out, hey.

G F G F GF G FGGF GA
where will you be waking up tomorrow morning

DEFCA G F G G
hey, out the back door,

GG G A G F DCD
goddamn, but i love her anyway.


F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

G A GFE
are you nasty?

A G F DCD
i love her anyway.

DEFGA G F G F GF G FGF GA
oh, where will you be waking up tomorrow morning?

DEFCAG G F G G
oh, out the back door,

GG G A G F DCD
goddamn, but i love her anyway.

CC C A G F GG G F D
climbing out the back door, didn't leave a mark,

CC C A G F GA
no one knows it's you, miss jackson.

C CCA GF G GG GF D
found another victim,  but no-ones gonna find

F GA GA GA
miss jackson, jackson, jackson.

A G F DCD
i love her anyway.

G F G G GG
out the back door goddamn,

G A G F DCD
but i love her anyway.

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

F FF F FF F FF
miss jackson, miss jackson, miss jackson,

G A GF
are you nasty?

G A GFE
are you nasty?

A G F DCD
i love her anyway.

DEFGAG G F G F GF G FGF GA
oh, where will you be waking up tomorrow morning?

DEFCAG G F G G
oh, out the back door,

GG G A G F DCD
goddamn, but i love her anyway.

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This is Gospel - Panic! At The Disco

D E F#E E D EF# ED
this is gospel for the fallen ones,

D BD B DBB DE
locked away in permanent slumber.

DF#F# E DEF#ED
assembling their philosophies,

B DD D DB BAA
from pieces of broken memories.

DEF#EDAF
oh,

D F# F# F# F# F# F#
this is the beat of my heart,

D F# F# F# F# F# F#
this is the beat of my heart,

A BB C# C# DDD D
the gnashing teeth and criminal tongues

AD DD D DC#
conspire against the odds,

D E F#E E E E D E F#
but they haven't seen the best of us yet.

D E F# E D E AGF#
if you love me let me go,

D E F# E D E AGF#
if you love me let me go,

D D A F# A
cause these words are knives

F# AF# A F#E
that often leave scars,

E E D ED F#ED
the fear of falling apart.

D A F# A F# AF# A F#E
and truth be told, i never was yours,

E E D E D ED F#ED
the fear, the fear of falling apart.

DEF#EDDEF# EDEF#EDDAF#
oh, oh,

DEF#EDDEF# EDEF#EDDAF#
oh, oh,

D F# F# F# F# F# F#
this is the beat of my heart,

D F# F# F# F# F# F#
this is the beat of my heart.

D E F#E E D EF#ED
this is gospel for the vagabonds,

DB B D D BDBB DE
never do wells and insufferable bastards,

DF#F# E DEF#ED
confessing their apostasies,

D BD D BDB BBA
led away by imperfect impostors,

DEF#EDAF
oh,

D F# F# F# F# F# F#
this is the beat of my heart,

D F# F# F# F# F# F#
this is the beat of my heart,

DEF#EDAF
oh,

D F# F# F# F# F# F#
this is the beat of my heart,

D F# F# F# F# F# F#
this is the beat of my heart,

A B B C# C# C# D D D D
don't try to sleep through the end of the world,

DD D BE
bury me alive.

E E E E E EE D F#E
cause i won't give up without a fight.

D E F# E D E AGF#
if you love me let me go,

D E F# E D E AGF#
if you love me let me go,

D D A F# A
cause these words are knives

F# AF# A F#E
that often leave scars,

E E D ED F#ED
the fear of falling apart,

D A F# A F# AF# A F#E
and truth be told i never was yours,

E E D E D ED F#ED
the fear, the fear of falling apart.

DEF#ED DEF#ED EF#EDDAF#
oh, oh, oh.

DEF#ED DEF#ED EF#EDDAF#
oh, oh, oh,.

D F# F# F# F# F# F#
this is the beat of my heart,

D F# F# F# F# F# F#
this is the beat of my heart.

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The Ballad Of Mona Lisa - Panic At The Disco

C C C CB B B B ABC
she paints her fingers with a close precision,

C C C CB BB BA A A
he starts to notice empty bottles of gin.

C C C CB B BB A A F F F
and takes a moment to assess the sins, she's paid for.

C CC CB B B BABC
a lonely speaker in a conversation;

C C C CB B B BA AA
her words were swimming through his ears again.

D DD D C C B B A B
there's nothing wrong with just a taste of what

A B C
you've paid for.

C D E EDC C D E DE
say what you mean, tell me i'm right,

E E E AG GE ED CA AG
and let the sun rain down on me.

C D E EDC C C C EDE
give me a sign, i want to believe.

AGAGA AG AE E AGA E D E D
woah, mona lisa, you're guaranteed to run this town.

AGAGA AB CBAG G G E E G AbA
woah, mona lisa, i'd pay to see you frown.

C CC CB B B BABC
he senses something call it, desperation

CCC CB BBA A
another dollar another day.

D D D D C CC CB B B A A B A
and if she had the proper words to say, she would tell him.

A A A BA B A B C
that she'd have nothing left to sell him.

C D E EDC C D E DE
say what you mean, tell me i'm right,

E E E A G C D C
and let the sun rain down on me,

C D E EDC C C C EDE
give me a sign, i want to believe.

AGAGA AG AE E AGA E D E D
woah, mona lisa, you're guaranteed to run this town.

AGAGA AA BCBAG G G E E G AbA
woah, mona lisa, i'd pay to see you frown.

AB CA G F E A B C AG AB CA G E GAbA
mona lisa wear me out, pleased to please ya, mona lisa wear me out.

C D E EDC C D E DE
say what you mean, tell me i'm right,

E E E AG GE ED CA AG
and let the sun rain down on me.

C D E EDC C C C EDE
give me a sign, i want to believe.

AGAGA AG AE E AGA E D E D
woah, mona lisa, you're guaranteed to run this town.

AGAGA AB CBAG G G E E G AbA
woah, mona lisa, i'd pay to see you frown.

A A G GAG A A D DE
say what you mean, tell me i'm right,

E E E A G C AG
and let the sun rain down on me.

A A G GA A A B CAGEGAbA
give me a sign, i want to believe.

D DD D C C C C B B A B C
there's nothing wrong with juts a taste of what you've paid for.

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Stay With Me - You Me At Six

C C C C D A
you've got a lot to say,

F C G F G FD
for the one that walked away.

C C D A
i give, you take

F C G F GF G
it's the way it's always been

C C C D A F C G F G F D
oh, how do i know if i should stay or just go?

F GF G F G F G F GF D
the bottom line is this way that i'll never know

A G F
stay with me.

A G F A G F
(stay with me, stay with me)

AC F ED
stay with me.

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I Write Sins Not Tragedies - Panic At The Disco

A A CBA
oh, well imagine,

A C BA C B A C B ACB
as i'm pacing the pews in a church corridor,

A A D D D E C
and i can't help but to hear -

A A A A G G D C BBC B AG
no, i can't help but to hear an exchanging of words.

G G GFE DC A C BAC BA
"what a beautiful wedding! what a beautiful wedding!"

A A DD D E CA
says a bridesmaid to a waiter.

A D D D E C A A A G G D D
and "yes, but what a shame, what a shame the poor groom's bride

D E C
is a whore."

G E D D C
i'd chine in with a,

GF E EE EF E DC
"haven't you people ever heard of

DD C G ED D
closing a goddamn door?!"

E D D DD C D C D E C
no, it's much better to face these kind of things

C C C C C D GFEDDE
with a sense of poise and rationality.

G E D GF E EE EF A ED
i'd chine in, "haven't you people ever heard of

DD C GE D
closing a goddamn door?!"

E D D DD C D C D E C
no, it's much better to face these kind of things

A B C D A A C B
with a sense of - oh, well in fact.

A C B A C B A
well i'll look at it this way,

A A CCC A CC E D
i mean technically our marriage is saved.

C E D C E D C
well this calls for a toast so

E D BC G B C B
pour the champagne- oh! well in fact.

A C B A C B A
well i'll look at it this way,

A A CCC A FF F D
i mean technically oru marriage is saved.

A D D D E D
well this calls for a toast,

A E D CB E D BCA
so pour the champagne, pour the champagne.

G E D D C
i'd chime in with a

GF E EE EF E DC
"haven't you people ever heard of

DD C G E D
closing a god damn door?!"

E D D DD C D C D E C
no, it'd much better to face these kinds of things

C C C C C D GFEDDE
with a sense of poise and rationality.

G E D
i'd chine in,

GF E EE EF A ED
"haven't you people ever heard of

DD C GE D
closing a goddamn door?!"

E D D DD C D C D E C
no, it's much better to face these kinds of things

A B C D E CFEDDEDC
with a sense of poise and rationality-

GAG
again.

G E D
i'd chime in,

GF E EE EF E DC
"haven't you people ever heard of

DD C G E D
closing a god damn door?!"

A D D DD C D C D EC
no, it's much better to face these kind of things

C C C C C D GFEDDE
with a sense of poise and rationality.

G E D
i'd chime in,

GF E EE EF A ED
"haven't you people ever heard of

DD C G E D
closing a god damn door?!"

E D D DD C D C D E C
no, it's much better to face these kinds of things

A B C D D E CFEDDEDC
with a sense of poise and rationality -

GAG
again.

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